IDENTITAS VISUAL DALAM LOGO GOJEK SOLV
Main Article Content
The introduction of a company in appearance or form that has its own characteristics through visual identity, one of which is a logo. The logo is studied as an object, representation, and interpretation of the values, services, and commitments that the company has to its customers. This research analyzes the meaning contained in the Gojek SOLV logo as a form of visual identity using Charles Sander Pierce's semiotic approach with descriptive qualitative research methods. Through in-depth analysis of the visual elements contained in the logo, such as magnifying glass, map pin, power button, and embracing shape, as well as research on color and font selection, this research explores the messages contained in the logo. The research findings show that the Gojek SOLV logo is not only a symbol of visual identity, but also a reflection of the representation of Gojek's dedication, values, and vision as well as in the interpretation of empowering, supporting, and providing a sense of security while traveling. This research provides an understanding of the importance of logo design in the context of corporate visual communication and how a logo can be a means to articulate the company's values and vision to the wider community.
Abiyasa, F. M., & Sanjaya, M. A. (2021). Mengkaji Logo Gojek SOLV Berdasarkan Presepsi dan Citra Identitas Visual. Visual Heritage: Jurnal Kreasi Seni dan Budaya, 172-179.
Alamsyah, R. (2023, September 9). Metamorphosys. Retrieved from Penggunaan Warna dalam Branding: Membangun Identitas yang Kuat dan Mengesankan: https://metamorphosys.co.id/penggunaan-warna-dalam-branding-membangun-identitas-yang-kuat-dan-mengesankan/
Alifianto, R. (2024, April 23). Identitas Visual Pada Logo Gojek Solv. (C. Meylina, Interviewer)
Chapman, C. (2021, May 20). Color Theory for Designers, Part 1: The Meaning of Color. Retrieved from Smashing Magazine: https://www.smashingmagazine.com/2010/01/color-theory-for-designers-part-1-the-meaning-of-color/
Cunningham, M. K. (2017). The Value of Color Research in Brand Strategy. Open Journal of Social Sciences, 186-186.
Dachi, M. A. (2022, October 26). Media Indonesia. Retrieved from Arti Warna dan Makna yang Terkandung: https://mediaindonesia.com/humaniora/532529/arti-warna-dan-makna-yang-terkandung
Design, G. (2020). The Gojek Brandbook. Jakarta: Gojek.
Erjansola, A. M., Lipponen, J., Vehkalahti, K., Aula, H. M., & Backman, A. M. (2021). From the brand logo to brand associations and the corporate identity: visual and identity-based logo associations in a university merger. Journal of Brand Management.
Everlin, S., & Erlyana, Y. (2020). Analisis Perubahan Desain Logo Gojek Tahun 2019. DESKOMVIS Jurnal Ilmiah Desain Komunikasi Visual Seni Rupa dan Media, 72-88.
Fajrin, R. (2017). Pengembangan Sistem Informasi Geografis Berbasis Node.JS untuk Pemetaan Mesin dan Tracking Engineer dengan Pemanfaatan Geolocation pada PT IBM Indonesia. Jurnal Informatika.
Gjoni, A. (2022). Color Coordination as a Powerful Design Tool. Art and Design Review, 221-230.
Gojek. (2024, February 24). gojek.com. Retrieved from Logo Baru Gojek, Simbol Evolusi Jadi Platform Teknologi On-Demand Terdepan di Asia Tenggara: https://www.gojek.com/blog/gojek/logo-baru-Gojek-simbol-evolusi
Hughes, K. A. (2019). Graphic Design: Learn it, Do it. In K. A. Hughes, Graphic Design: Learn it, Do it (p. 422). Boca Raton: CRC Press.
Jayanegara, & Setiawan, F. (2021). ANALISIS BENTUK PADA IDENTITAS VISUAL STMIK STIKOM INDONESIA. Jurnal Bahasa Rupa.
Johari, A. (2016). REPRESENTASI MITOS DAN MAKNA PADA VISUAL LAMBANG DAERAH. Ritme.
Khamadi, Senoprabowo, A., Muslih, Hasyim, N., & Prabowo, D. P. (2022). Tinjaun Infografis Pekerjaan UI-UX dalam sudut pandang Tinjaun Desain . 92Science And Engineering National Seminar 7 (SENS 7) , 92-100.
Kriyantono, R. (2020). In Teknik praktis riset komunikasi kuantitatif dan kualitatif : disertai contoh praktis skripsi, tesis, dan disertasi riset media, public relations, advertising, komunikasi organisasi, komunikasi pemasaran. Jakarta: Prenadamedia Group.
Lestari, A. D. (2019). VIDEO BLOGGING (VLOGGING) SEBAGAI BENTUK PRESENTASI DIRI. JURNAL SIGNAL.
Malik, A., Istianah, R., & B. R. (2021). Analisis Semiotika Charles Sanders Peirce Tentang Makna Logo Pariwisata Kabupaten Sukabumi. Jurnal Ilmu Komputer dan Desain Komunikasi Visual.
Mangkawani, A. P., Amir, J., & Nensilianti. (2020). MAKNA TANDA DALAM IKLAN CERDIKIAWAN GOJEK INDONESIA. Jurnal Pembelajaran Bahasa dan Sastra Indonesia.
Marni, S. (2016). Analisis Makna Intensi Pada Puisi-puisi Penyair Pemula: Analisi. Gramatika STKIP PGRI Sumatera Barat, 25-32.
Nurfalah, F., Nuruzzaman, M., & Ahmad, J. (2022). Communication lifestyle of Indonesian and Malaysia studentsduring the corona virus 19 pandemic. Kajian Komunikasi, 66-77.
Primasari, I., & Wibawa, A. T. (2021). Analitycal Review on Logo Redesign GO-JEK Group in Creating Brand Company Image. Advances in Social Science, Education and Humanities Research.
Read, M. (2019). Designing with Color in the Early Childhood Education Classroom: A Theoretical Perspective. Creative Education, 186-186.
Saputra, H. T., & Muhaimin, A. (2022). ROBOT PEMINDAH BENDA DENGAN KENDALI JOYSTICK PS2 WIRELESS BERBASIS WEMOS. JURNAL ILMU KOMPUTER.
Siswono, T. (2020). ANALISIS SEMIOTIKA SOLV SEBAGAI LOGO BARU GOJEK. SEMINAR NASIONAL ENVISI 2020 : INDUSTRI KREATIF.
Sorongane, E. W. (2022). Quantum Color Theory. Open Journal of Applied Sciences, 517-527.
Swasty, W. (2020). In Branding: Memahami dan Merancang Strategi Merek (p. 173). Remaja Rosdakarya.
Wijayanti. (2022). MEMAKNAI ROMANTISME DRAKOR SEBAGAI MORAL BUDAYA. IKON Jurnal Ilmu Komunikas.
World, L. (2024, April 24). Internet Logos. Retrieved from Google Maps Logo: https://logos-world.net/google-maps-logo/