ANALISIS SEMIOTIKA JOHN FISKE DALAM KETIDAKSETARAAN GENDER PADA FILM DANGAL 2016
Main Article Content
Nova Yana Azli Harahap
Nursapia Harahap
Syahrul Abidin
This study aims to find out how the representation gender inequality is represented and understand the meaning of the sign of the level of reality, representation, and gender ideology contained in the Dangal film. The theory which was used to explore this research is the theory of construction or injustice gender. The object of this research is the film Dangal 2016 which has a duration of 2 hours 41 minutes. The method used in this research is a qualitative method descriptive paradigm using John Fiske's semiotic analysis technique. Based on the results of the research studied by researchers in this film, they see meaning inferior which is described for women and superior meaning for men, this is illustrated in the struggle of two girls to keep living their lives even though their future is determined by the father. There are 13 scenes that show gender injustice in it. Delivery there is gender injustice in dangal films, namely by means of 3 levels the meaning of the sign, namely the Level of Reality, the Level of Representation and the Level of Ideology. So that in the end the meaning in this film is to change the opinion of society and defend the opinions and opinions of society against the values of patriarchal ideology.
Al-quran dan terjemahan al- insaani. (2012). Depok: Dapertemen Agama RI.
Cahyani, L. B. 2018. Representasi Ketidakadilan Gender dalam Film. Jurnal Komunikasi Massa, 1(1), 1–20.
Fiske, J. 1987. Television Culture. London and New York.
Gracia, C., Mingkid, E., & Harilama, S. H. 2020. Analisis Semiotika Diskriminasi
Gender dan Budaya A Semiotic Analysis of Gender Discrimination and Patriarchal Culture in Kim Ji Young, Born 1982 Movie. Acta Diurna Komunikasi,2(4). https://ejournal.unsrat.ac.id/index.php/actadiurnakomunikasi/article/view/306 97
Haryani, N. D. 2015. Konstruksi Gender pada Novel Perempuan Berkalung Sorban Karya Abidah Khalieqi.
Herdiansyah, H. 2012. Metodologi Penelitian Kualitatif Untuk Ilmu - Ilmu Sosial. Jakarta: Salemba Humanika.
Meolong, L. J. 2006. Metode Penelitian Kualitatif. Bandung: Remaja Rosda Karya.
Nurudin. 2013. Pengantar Komunikasi Massa. Jakarta: Rajawali Pers
Oktari, R., & Prasetio, A. 2015. REPRESENTASI NASIONALISME DALAM FILM HABIBIE DAN AINUN (Analisis Semiotika John Fiske dalam film Habibie dan Ainun) Rony. Analisis Semiotika, 14(01), 1–15.
Oktavianus, P. J. 2018. Analisis Semiotika Ketidakadilan Gender Terhadap Perempuan Dalam Film Marlina Si Pembunuh Empat Babal. JISIP : Jurnal Ilmu Sosial Dan IlmuPolitik,7(2),136–147. https://publikasi.unitri.ac.id/index.php/fisip/article/view/1591
Pratista, H. 2008. Memahami Film. Yogyakarta: Homerian Pustaka.
Puspitawati, H. 2012. Gender dan Keluarga: Konsep dan Realitas di Indonesia. Bogor: PT IPB Press.
Saptiawan, S. &. 2010. Gender & Inferioritas Perempuan. Yogyakarta: Pustaka Pelajar.
Fauziah, D. P. 2018. REALITAS BIAS GENDER PADA IKLAN OF GENDER BIAS REALITY IN KISAH RAMADHAN
Setiawan, H., Aziz, A., & Kurniadi, D. 2020. Ideologi Patriarki Dalam Film (Semiotika John Fiske Pada Interaksi Ayah Dan Anak Dalam Film Chef). ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia, 6(02), 251– 262. https://doi.org/10.33633/andharupa.v6i02.3502
Seto, I. 2013. Semitika Komunikasi: Aplikasi praktis bagi penelitian dan skripsi komunikasi. Jakarta: Mitra Wacana Media.
Sobur, A. 2009. Semiotika Komunikasi. Bandung: PT Remaja Rosdakarya.
